The first Dresden Dolls album is coursing through my brain at a non-syncopated gait this morning. I have again crawled from the wreckage of last night, and I'll probably end up working backwards on this missive to the universe.
I have caught my first cold in like three or four years. Being vegetarian does that...since going meatless back in 2001, really, I've rarely been sick. It's not a bad one, either; no real symptoms, but that it goes straight for the throat. Doesn't hurt, but it feels like I fronted a Screamo band.
That's the least of my worries. Well, good things to start with: the Dharma Fools returned to the stage last night for the first time in over a year.
http://www.reverbnation.com/thedharmafools?profile_view_source=header_icon_nav
Our new page is there, recent video and some old tracks. Got a nice "love it" from a musician named Tim Caudill last night...thanks, Tim!
Yeah, last night...slightly new lineup. Those who know of the history of The Band Formerly Known As Ahltyrra know that the Dharma Fools were to be a side project, and they became the project.
From the original lineup is myself, Dan Shearer and Merryiad. Jim Hooker has joined us on harp, vocals and djembe; the former he mostly does and Jim brought us a wonderful djembe player named Mari up to Harrisburg for the event.
A fixture in Harrisburg's music scene is the Harrisburg Midtown Arts Center, or HMAC. Wednesday night's Open Mic Night, hosted by Mike Banks. He opened up with more of his blazing acoustic guitar pyro action, and an amazing voice that can do Leon Redbone stuff, and then with a more conventional, but exceptional voice. Great guy, and we appreciate his support.
Well, wouldn't you know? We had to follow his blazing set! But we've done it before. The set list:
Black Ambition (one of mine, an Ahltyrra standby and opener)
Keep on Truckin' (the product of Dan's grooving bass line, Jim's harp and words I quickly brought together)...smoked for not playing it ever.
Dead Flowers (yeah, we had to)
Got an awesome hand, thank you all for doing that! Some old friends and fans turned up, and a couple of my radio friends turned up as well. Wonderful time...we still got it.
Dunno what's next, but we'll keep at it. Hopefully I'll have some new rehearsal or live tracks up on the ReverbNation site.
Good work last night by a lot of artists...Piano & Cocktail Murders (I think that's the right name), Cameron Malloy, Yellow Day, and Octavia all did great...the latter is a blues lady, find her music!!!
Doing some TV work this week for WITF...nice to get a chance to do some behind the scenes work, and I'm not averse to much of anything right about now.
NEXT...Radio-Airwaves is back on the air!
http://radio-airwaves.co.uk/index.html
I return to the air tonight at 11 pm Eastern time, as DJ Riff. Got a bunch of new tracks to thrown down for you...some odd, some obscure, and some local stuff.
I was in New England last week. Business and pleasure it all turned out to be. Spent a few days in Maine with family, which was fun. Also zoomed up the Midcoast to see my former boss and owner of a couple of interesting little stations.
Turned out I had a job interview with a start-up AM. Radio 9 WCME, on 900 AM in Brunswick has been an odd little station with a long past. The new owner is a radio pro who has been making things happen on his own pace, and I had a nice chat. Not much there right now, but worth staying in touch with the gentleman.
Also saw my old XM Radio friend Joe in Portland, and ran into another of his regular buddies, a good time. Very good indeed.
Boston for two days...saw my old friend TJ Welch from Saint Joe's days. The one year he was there shaped my musical vision in a big way. He was the host of "Sonic Lobotomy," a punk show that for that one year defined a lot of things for me.
He introduced me to Dead Kennedys. TJ's band The Welch Boys will support DK's in Cambridge, MA and in NYC and Washington this month. Great to see him again, and I sold him a Telecaster.
A wonderful time, I must say. Spent a couple days at my friend Riz's house, and then it was back down here for the action.
Okay...writing time.
I have not written or edited much lately. But I'm coming up with ideas again. Right now, I have to get "Parasite Girls" re-read as a book and ready for the self-publishing steps.
My agent, Jeanie Loiacono has left Sullivan-Maxx and is forging ahead on her own. LLA will be out of Irving, TX and I will likely re-up with her. Jeanie has been kicking open doors and I feel she can help with the Sweet Dreams Series and get this into the hands it must go to.
It is that big to me, that some kind of help is required. The SDS is the best thing I've ever written; it must get out there.
Now...not to diminish "Parasite Girls." It's a good story, and I hope it will be received well. Better to fail by trying than to not, eh?
My friend Nick Bento once said, "Even if it flops, at least you did it." Something like that, and he's right. Gotta go there.
Now...two new ideas have been slowly cooking in my head, and they have to stay there because they are not ready to come out of the oven yet. I have to edit SDS-4, and do rewrites, because that's not what it should be.
"Time the Healer" needs a go-over...so much to do.
But I'd not have it another way; it's good like this. Stuff ahead of me gives me incentive.
Okay, off to the mad world I've created for myself. Peace, out.
The official blog of Brown Posey Press Author, Radio PA Network anchor, Blog Talk Radio host, and more than occasional problem causer, Tory Gates. Welcome, share and enjoy...hopefully ye shall be left to think.
Showing posts with label HMAC. Show all posts
Showing posts with label HMAC. Show all posts
Thursday, February 7, 2013
Thursday, December 8, 2011
Finally...a little recognition...
This is kinda cool...I'm sort of putting together all of my jumbled thoughts and other weird shit from the past several days, and it's good to have an opportunity to feel just a tiny bit of recognition for what you do.
It comes all at once I think...and with it, is all this other stuff especially at the time of Yule/Xmas.
"Thunderbird," by John Hiatt is now on my new iPod Classic. Heehee...been cranking it and lamely burning nearly everything I own to my iTunes on the computer and the new toy. Over 10,000 songs and counting...heehee.
Now yes, the iPod is my early gift to me; my old friend Jaz has the Walkman now, a going away present for her as she heads to New York State for a new job and I think a new step in life. I wish her well.
You know, I honestly don't mind if people wish me a Merry Xmas, Happy Holidays or Joyous Yule. I really don't care; I take it as friendly gestures or politeness. Doesn't freak me out.
I do not do a lot of shopping though; my family and I stopped that business some years ago, for the money, primarily. But I do a few little things for certain folk.
Where was I going with this anyway...?
Oh yeah.
I'm slowly girding my loins to get ready for a new book of Young Adult/YA strangeness. Another examination of a part of my life that has not been touched yet, and will likely be difficult as fucking hell. But none of it has been; therapy, I guess.
Also have another twisted crazy story working in my brain, I'll get to that one day.
"Abandoned," by Ronnie Earl, from Now My Soul. Blues...yeah, and as you know I've been playing quite a bit of Ronnie and some other instrumentalists during my substitute hosting on WITF.
Another thread...anyway, I'll be doing a bunch more this month, as a couple of my colleagues take vacation/holiday time. Be warned, haha.
Okay, here's what happened last night: Dan and I did not have time to practice, but we headed up to HMAC for Open Mic Night. Hadn't been there in a while, and it was time to go again.
As been the habit, we followed the compere, the amazing Mike Banks...but I think we did pretty damned well. "Black Ambition" and "Dark Star" are my songs, and then we followed up with Midge Ure's "Call of the Wild."
Good hands...Dan says a lovely young Asian lady was watching him play...I'll bet she was, I'll bet she was...Alice came to watch Dan and "Mr. Nervous," but she seemed cool with what happened.
Had a nice talk with a folksinger named Matt in the backroom...he wanted to know the chord changes to "Black Ambition." Nice. We had a good talk; he followed us, and did some sparse, simple tunes, but really good stuff. Less is more, he said, and I agree.
Mike paid me a nice compliment...he's been listening to me on WITF, and at first didn't know it was me! He guessed though, and then heard my name...he also digs the bumper music I've been playing. I have apparently found a twist that is all my own...heh.
Also got some really cool pics out of if from Mandeek Live--you'll find her on Facebook. A pro photog who takes really good shots; she also was very complimentary of our music.
My voice, too...I'm honored...oh yeah, and Matt said I sound like Lou Reed!
I've gotten that before, and it is a compliment to me!
A little recognition is very nice...nice to know people are starting to realize that while I may not be the most serious guy in the world, I am about certain things, and I do my best.
Made my day, I gotta tell you...
...back to writing...Silk Road Days is being edited once more, I need to finish that before I can consider anything else. As I say trying to get my brain wrapped around this new idea of mine. It reads in my head well, but perhaps better as just a Manga?
Hmmm...won't know till I get it started.
"Set Me Free" by John Cale...interesting stuff...very.
OK, off I go to whatever...
It comes all at once I think...and with it, is all this other stuff especially at the time of Yule/Xmas.
"Thunderbird," by John Hiatt is now on my new iPod Classic. Heehee...been cranking it and lamely burning nearly everything I own to my iTunes on the computer and the new toy. Over 10,000 songs and counting...heehee.
Now yes, the iPod is my early gift to me; my old friend Jaz has the Walkman now, a going away present for her as she heads to New York State for a new job and I think a new step in life. I wish her well.
You know, I honestly don't mind if people wish me a Merry Xmas, Happy Holidays or Joyous Yule. I really don't care; I take it as friendly gestures or politeness. Doesn't freak me out.
I do not do a lot of shopping though; my family and I stopped that business some years ago, for the money, primarily. But I do a few little things for certain folk.
Where was I going with this anyway...?
Oh yeah.
I'm slowly girding my loins to get ready for a new book of Young Adult/YA strangeness. Another examination of a part of my life that has not been touched yet, and will likely be difficult as fucking hell. But none of it has been; therapy, I guess.
Also have another twisted crazy story working in my brain, I'll get to that one day.
"Abandoned," by Ronnie Earl, from Now My Soul. Blues...yeah, and as you know I've been playing quite a bit of Ronnie and some other instrumentalists during my substitute hosting on WITF.
Another thread...anyway, I'll be doing a bunch more this month, as a couple of my colleagues take vacation/holiday time. Be warned, haha.
Okay, here's what happened last night: Dan and I did not have time to practice, but we headed up to HMAC for Open Mic Night. Hadn't been there in a while, and it was time to go again.
As been the habit, we followed the compere, the amazing Mike Banks...but I think we did pretty damned well. "Black Ambition" and "Dark Star" are my songs, and then we followed up with Midge Ure's "Call of the Wild."
Good hands...Dan says a lovely young Asian lady was watching him play...I'll bet she was, I'll bet she was...Alice came to watch Dan and "Mr. Nervous," but she seemed cool with what happened.
Had a nice talk with a folksinger named Matt in the backroom...he wanted to know the chord changes to "Black Ambition." Nice. We had a good talk; he followed us, and did some sparse, simple tunes, but really good stuff. Less is more, he said, and I agree.
Mike paid me a nice compliment...he's been listening to me on WITF, and at first didn't know it was me! He guessed though, and then heard my name...he also digs the bumper music I've been playing. I have apparently found a twist that is all my own...heh.
Also got some really cool pics out of if from Mandeek Live--you'll find her on Facebook. A pro photog who takes really good shots; she also was very complimentary of our music.
My voice, too...I'm honored...oh yeah, and Matt said I sound like Lou Reed!
I've gotten that before, and it is a compliment to me!
A little recognition is very nice...nice to know people are starting to realize that while I may not be the most serious guy in the world, I am about certain things, and I do my best.
Made my day, I gotta tell you...
...back to writing...Silk Road Days is being edited once more, I need to finish that before I can consider anything else. As I say trying to get my brain wrapped around this new idea of mine. It reads in my head well, but perhaps better as just a Manga?
Hmmm...won't know till I get it started.
"Set Me Free" by John Cale...interesting stuff...very.
OK, off I go to whatever...
Tuesday, October 18, 2011
"Take Another Road," Chapter 18--Perfect for Mei
Here we go, with another chapter of "Take Another Road." Before so doing, I must do a bit of an update on things:
The Dharma Fools will again be back onstage Wednesday evening at the Harrisburg Midtown Arts Center, aka HMAC. Open Mic Night starts at 7:30, hosted by the amazing Mike Banks...it's a lot of fun and a great to be had.
Now, onward we go...enjoy, and let me know what you think!
###
The Dharma Fools will again be back onstage Wednesday evening at the Harrisburg Midtown Arts Center, aka HMAC. Open Mic Night starts at 7:30, hosted by the amazing Mike Banks...it's a lot of fun and a great to be had.
Now, onward we go...enjoy, and let me know what you think!
###
Chapter 18—Perfect for Mei
Mei turned in her seat on the Metro, and tried to see ahead to the approaching station. She was decked out once again in her Gothic Lolita rig, and headed for Harajuku, where she’d meet up with Midori. There was a still a few minutes to go, and she cycled through her iPod while waiting.
The car she was riding in was full of cosplayers, Furries, and just about every anime show or film one could name was represented. There was also a knot of Ganguro girls, a curious bunch that (allegedly) emulated the Southern California lifestyle, by caking on layers of dark pancake makeup to make them looked tanned. Pre-cancero Girls, Mei called them, generally because they were obnoxious, even by Otaku standards. That, plus their platinum blonde and other wildly colored wigs attracted the most attention of the car.
She hid her smirk as she looked at some of the more conventionally dressed Japanese, plus the few tourists who looked absolutely frightened, like they’d walked onto the set of Night of the Living Dead. Mei found the song she wanted and sat back.
“I can’t help it, you’re perfect for me
I could care less, you’re perfect for me
I’ve been waiting, you’re perfect for me
Right now…”
The singer sounded like an aging punk rocker with a young hardcore band behind him, but Mei didn’t care. The song reminded her of Midori, and the lyrics, though a little goofy at certain points was perfect, for her. She nodded in time to the beat, and thought about her discussion that morning with Reiko.
Mei had done an early workout, and then made sure her mother would be all right for a few hours. Reiko assured her she would be, and added as they sat on her bed while Mei wrapped her right wrist, “You need some time with your significant other.”
Mei laughed as she lost her grip on the Ace bandage, and had to rewrap Reiko’s hand. Both of Reiko’s wrists tended to swell up, and the bandages gave her support to take hold of items.
“Yeah, well,” she commented, “I’m glad you are joking about it Mom, instead of being mad at me.”
“How could I be angry,” Reiko replied, “when my daughter radiates a light I’ve never seen from her?”
Mei’s eyebrows went up. “A light?”
“Yes.” Reiko ran her free hand through Mei’s hair. “Midori is a charming girl, and she has needed someone as much as you have. I don’t know much of her life, but from what you have told me, you two girls have a great deal in common. If you are in love, then so be it. I will always support you, Mei, whichever path you choose.”
“It’s a different kind of love…” Mei smiled as she thought of the conversation. The train was slowing up, and she was on her feet to get to the door quickly. Mom’s cool; she has always been, but I am so thankful she’s on our side. I wonder how Midori’s parents will react when they find out. They seem pretty open-minded, but still…something like this is generally accepted here, but not always.
The train came to a stop, and Mei strode in her “bitch boots” to the stairs through the crush of commuters. She tucked her earbuds inside her school bag, made sure her long hair was out of the strap and stepped into Harajuku.
Immediately, Mei was in an element familiar to her: most of the people here were in costume, apart from the tourists and those who actually worked in the area. Each time was different here, Mei knew, a surreal wonderland of color and outlandish fashion. Shops with brightly colored awnings and window dressings promised good deals on top-line merchandise; street musicians, particularly kodo drummers and shamisen players vied for attention and tips amongst the revelry. But Mei was not looking at, nor listening to any of it. She was making for the boardwalk area, where she and Midori were to meet.
Then she saw her. Midori’s costume was a little more subdued today, a very short grey skirt (almost completely covered by Mei’s old jacket), white hose with black ribbons that went to mid-thigh, and a pair of patent leather shoes with chunky heels. Mei started to have that feeling the moment she saw Midori…but who was this she was talking to?
Mei ducked behind a news pillar. This person was not in costume; that was certain. It was a woman, but Mei could not ascertain her age, due to her shaved head and androgynous red and orange robes. It was a Buddhist nun, and there were a group of others standing nearby, apparently waiting for this one to finish her conversation with Midori.
Mei continued to watch. The woman was several years older than Midori, but the two were speaking to each other in a very personal manner, and both seemed extremely happy to see one another. Midori never told me she knew a nun; I wonder if this is a relative of hers. I’d love to meet her, but this talk looks like a private one.
After a few moments more, the two held each other in a long embrace, and kissed one another on the cheeks. The nun waved and rejoined her colleagues, and all walked off. Mei watched as Midori stood there, her hands together in front of her, smiling. The meeting with this woman was obviously unexpected.
Mei casually walked around the pillar as if she’d just arrived. Midori saw her immediately, ran to her and practically leaped into her arms, hailing her friend and kissing her lips. “I’m so glad to see you,” she said, “you’ve just missed an old friend of mine.”
“Oh, really?” Mei hated to lie, but feigned knowing. “Who was it?”
“Her name is Lobsang, but that’s really her divinity name,” Midori explained. “It’s Sherpa for ‘kind-hearted one,’ and she was.”
“How did you know her?” Mei asked.
“Well,” Midori began to explain, then paused. “Lobsang was a mentor to me when I was little.” Then she stopped again.
“What is it?” Mei reached out and took Midori gently by the shoulders. A haunted look had come across Midori’s face.
Midori looked up at Mei, and there were mixed emotions in those huge brown eyes. “I need to tell you,” she said, “come on.”
Taking Mei’s hand, Midori led her onto the long wooden walkway, and they traveled a distance down it in silence. Mei understood that something big was coming, and they needed some sort of privacy. Eventually they found an open spot, and Midori slid her legs onto the second rail of the fence-like protective barrier. As she leaned on the top rail, Mei joined her in a similar fashion.
“I haven’t told you about certain things,” Midori said as she stared forward and rested her chin on her forearms. “Seeing Lobsang today brings it all back. Mei, you’ve noticed that my Mom and Dad are pretty young?”
“Yes.” Mei watched Midori as she spoke. “I assumed you had been adopted at an older age, not as a baby.”
“You are right,” Midori said. “I was adopted when I was nine. Something happened in Osaka, where I used to live. We’d moved here just before you and I met, but that’s where I was born.
‘My father,” she continued, “I never knew. He split from my mother when I was very small, and I barely remember him. So it was just my mom and my sister and me.”
Mei turned further in surprise. “You have a sister?”
“Had.” Midori continued to stare ahead. Her fingers now shook, and Midori gripped the sleeves of her jacket to make it stop. “Her Japanese name was Takako, but I used to not be able to pronounce it, so we all called her Taka. She was three years older than me. Anyway, after our father left, it was the three of us in a tiny apartment.
‘Mom didn’t have much education, and being Korean it was pretty hard to find work,” Midori explained. “She worked two jobs a lot, and I don’t remember seeing her much. We couldn’t afford a babysitter, so Taka was the one who looked after me.”
“That’s awfully young to have that job,” Mei commented.
Midori nodded. “But Taka really was good to me,” she replied, as she turned to face Mei. “We got along so well, never fought or anything. She also told me a lot about how things were: when I’d ask about Dad, she would tell me that he had to leave, and that Mom was working really hard for us, and that I should not ask for anything too special or expensive for my birthday or for the holidays. The money just was not there. I understood, as best as a small child can, but then again it didn’t matter. Taka and I were so close; having her in my life made it all right.”
Mei slid her arm around Midori’s shoulders. She had stared off again, and Mei knew there was more to come. “What happened to them?”
“It was what happened to me, Mei,” Midori replied. “I was five years old at the time. It was winter, and I remember it being very, very cold that season. I remember that Mom seemed to be home more than usual. Taka told me that she’d lost one of her jobs, and that things were even tighter than before.”
Midori had set her teeth behind her lips, but only for a moment. “Then one night,” she continued, “Taka took me into our bedroom and got me dressed to go out. I didn’t have a winter jacket, and neither did my sister. But we did the best we could with what clothes we had.
‘I asked where we were going,” Midori continued, “and Taka said Mom was sending us to the store for a couple of items. I didn’t think anything of it; we often did that for her.
‘But soon…” Midori shuddered slightly before going on, “I realized we not going to the grocery store near our apartment; we were going in a different direction, to another neighborhood that I’d never been in before.”
Midori reached over to Mei, and took her other hand in both of hers. “I asked Taka why we were going this way,” she said, “and she turned and looked down at me, with the saddest look on her face. She finally said that Mom needed a couple of things at a certain store that we could not get at the other. I had no reason to doubt her.
‘It was getting very dark, and very cold now,” Midori went on. “There weren’t many streetlights in this part of the city, and it was spooky. We got the things Mom wanted, and we started for home. After a block or two, Taka turned to me and said, ‘Hey! Race you home!’”
Mei gasped inwardly as Midori continued, “We did that all the time, and I told her, ‘You’re on!’ Taka took off running and of course she got ahead of me quickly. She kept running, and she didn’t look back.”
“My God,” Mei breathed as she pulled Midori to her. Midori continued to stare forward, dry-eyed as the story tumbled from her lips in a slow rush. “Have you ever felt so completely alone, so lost and unwanted, as that? I ran after Taka, yelling for her to stop, she was going too fast. But she ran off into the night, and I never saw her again.”
Midori rested her head in Mei’s arms as she continued: “I didn’t know where I was. None of the streets were familiar, and I kept running, hoping to catch Taka or to find a street, a building or some landmark I recognized. I found neither. I ran till I was exhausted; I was in the street, alone and knew no one. I had no money; I didn’t even know my phone number. I tried to stop someone for help, but for a long time, no one would. Who’s going to help a Korean?”
Mei massaged Midori’s shoulder with one hand and ran her other through the girl’s hair. “All these people,” Midori said, “just walked past me. They acted like I didn’t exist. Finally, a young couple did stop. They calmed me down and called the police. Two officers drove up, and I gave my address. They took me home, and said they would find out why this happened. But when we got there, all we found was the landlord and one of our neighbors from the floor. I was told that Mom and Taka were seen leaving the apartment, each with a suitcase. The landlord told the police Mom was behind on the rent, and that he was going to evict us.
‘I remember being in a state of shock. Mom was gone, Taka was gone, and I felt like nobody wanted me. The police could not get a hold of anyone from Child Services that late at night, so they took me to a temple run by Buddhist monks. I was taken in, while the police tried to find my family.”
“Did they?” Mei asked.
“No.” Midori shook her head, raised it slightly, and then leaned on Mei’s shoulder again. “They disappeared. I don’t know what became of them. Anyway, the elder monks assigned Lobsang to look after me. There were other orphans there, mostly Korean children. Lobsang told me that one of the missions of the temple was to help the children that nobody wanted. She made a space for me in her tiny room, and she looked after me for four years.”
Midori sat up, but she clung to Mei. “That’s where I learned about meditation,” she explained. “I used to follow Lobsang to the hall, and seeing everyone sit and do it, I thought I should as well. That delighted everyone, and I became inseparable from Lobsang. The others called me her ‘Shadow,’ but it was meant well. I made friends with the other kids there, but Lobsang was everything to me—my second sister, my second mother, my only real friend.
‘I thought a lot about what had happened. I don’t blame Taka, nor do I hate her for what she did, Mei--I know Mom ordered her to lose me on the way home. Maybe she thought one less mouth to feed would make it easier.”
“Still,” Mei replied, trying to suppress the anger and sadness in her, “that’s not the way to do it.”
“I know,” Midori said, “and I once asked Lobsang why Mom would do such a thing. She said she didn’t know, and we can’t always know the mind of another in a situation like that. Lobsang said she thought that Mom must have been so stressed out that her mind made decisions she wasn’t aware of, or didn’t understand. Anyway, I feel worse for Taka.”
“How?”
“Taka would be 18 now,” Midori said, “and I wish I could know how she is. She protected me, watched out for me so well. To be told to get rid of her little sister must have been terribly painful. I wonder how she has borne that.”
Midori slid her feet back to the walkway, and Mei joined her. As they walked back toward the crowd, Midori held to Mei. “Mom and Dad visited the temple when I was nine. Believe it or not, that couple that helped me that night in the street? It was them; they were looking to adopt, and Mom remembered that night, and wondered where I had ended up. They made inquiries, and found me. Mom said she knew we were meant to be a family.”
Mei smiled. “That’s amazing,” she said, “but yeah, she was right. I’m ashamed to admit this, Midori,” she continued, “but I did see Lobsang with you. Just the very end of the conversation, and it looked like something I should not intrude on. Was that the first time you’d seen her since leaving the temple?”
“Yes, we’d stayed in touch by letter on occasion,” Midori explained, “and she is well. She is mentoring another little girl now. I do wish you could have met her,” she added as they stopped along the beginning of one of the crowded streets, “you would not have interfered. I did tell Lobsang about you, and she is happy for us.”
“Yes, we’d stayed in touch by letter on occasion,” Midori explained, “and she is well. She is mentoring another little girl now. I do wish you could have met her,” she added as they stopped along the beginning of one of the crowded streets, “you would not have interfered. I did tell Lobsang about you, and she is happy for us.”
They stopped, and Mei smiled as Midori leaned her body against her. She felt the girl’s arms go around her waist. “I’m even more astounded now,” Mei said as she stroked Midori’s cheek, “by you.”
Midori smiled in response. “How?”
“You didn’t cry or break down while telling me that story,” Mei said, “and you are so forgiving of Taka. Add to it, your happiness and kindness towards others, me especially is touching.”
Midori bowed her head on Mei’s shoulder and said, “It is what I’ve learned. In Buddhism, you learn to love, you learn to be kind, to yourself and others; and you learn to forgive, truly forgive once you understand everything. I have nothing to complain about: I’m alive, I have a family, I have friends and I am in love.” She looked up and kissed Mei on the lips. “That’s with you, you know.”
Mei smiled and kissed Midori back, and the two held to each other as a costumed world turned around them, not knowing or caring about it, for the moment.
###
(Writer's Note: "Perfect" is written by John Cale, and appears on his CD, blackAcetate, 2005.
There you have it!
Thursday, October 13, 2011
Writing/Dharma Fools/Real Life Update, go...now!
Well, it has been a while, has it now? The last several days have been extremely busy, and while there's been plenty of emo stuff and other weird shit, I'd like to think I came out of it alright.
Still alive, anyway. Let's start with the music.
Well, last Wed., the 5th I got back onstage at the HMAC in Harrisburg. The Midtown Arts Center is a happening place, right near the Midtown Scholar, and a bunch of other cool places. Pity none of 'em are open in the evening, but oh well.
I played fairly well, but I was aware immediately of the talented artists that come to play a few songs and hang out. I was of the mindset to come back the next week and do a better job.
Dan joined me this time, and officially now, the Dharma Fools made their return to the stage last night. After another amazing performance by compere Mike Banks, we ended up going on next because no one else who'd signed up was there.
We tore through "Black Ambition," "Street of the Broken Dreams" and "That's Entertainment" by the Jam. Went well, felt good to not be alone onstage again. Got a lot of nice compliments from folks, which is a very cool thing. Of course watching some brilliant performers that continued after us, well you can tell we've a bit more to do.
We were brought back later in the night to jam with bluesman Big Daddy Vince. Vince Lumia is from Syracuse, NY and is down for work. Last week he cobbled together an ensemble and blasted his way through some standards. Had the whole Howlin' Wolf thing down.
He also took this cell shot of us...
I like this. Thanks, Vince!
Anyway, we did end up with Vince onstage last night...I played djembe for the first time in I don't know how long...Dan on bass, a harpist, two guitarists and a sax player. Hammered out a long stream medley of "Mannish Boy," "Bad to the Bone" and "Hoochie Coochie Man," then finished with "One Way Out."
Got a nasty bruise on my left hand from striking the edge of the drum to get the sound I wanted, but oh well. Great fun.
That was the most fun I've had in so damn long. Thank you Alice for bringing me there and...showing up before having to go tech at the Steve Miller concert! She said he was really nice after the show and thanked everyone personally. Class act.
Ah...now you must be wondering about Alice. We have been kind of on and off and on and off again of late; finally we realize how much we're into one another, and it works for us. All good.
Writing...well, it's been tapered off. I have been studiously editing "Sweet Dreams: Searching for Roy Buchanan" or SDS-1, and it has needed some careful work, but we're getting there. Feeling a lot better and reading that way too.
I will get the next chapter of "Take Another Road" along soon, hopefully.
I'm back to work on Friday...didn't work all week, but didn't I have a lot to do!
Oy...my cat Qi is now down to eight lives. He nearly strangled himself with the cord that holds my djembe stand together. I was awakened rudely at 6:20 this morning...by this CRASHCRASHCRASHCRASHCRASHCRASHCRASH in the house.
My first thought was that one of my CD shelves had collapsed or was in the process. I got up, and found him in the vibe room, a three-foot tall wooden stand (which had been retracted) on the floor, with a short cord that held it when opened wrapped around his throat.
Qi had dragged it across the room in an effort to extricate himself, knocked down my djembe, one of my guitars, send two chairs flying and stuff all over the place in a panic. He could still breathe, but barely.
I finally had to cut him loose, he was so wrapped up. He was okay, though...good thing I was home, the poor cat.
Uh, what I gonna write?
Oh yeah, still working on the writing...also I have been given an extension of unemployment benefits, but with that I have to job hunt and prove it.
So I have done so, but how can you job hunt when: YOU HAVE THE JOB YOU WANT AND LOVE, JUST NOT ENOUGH HOURS?
Urg.
So I am looking about, and seeing if there's something I can put my skills to elsewhere. Never know what might turn up.
I know I'd talked a lot recently about going home. I think it passed; I now have reasons again to stay here. We'll see...again, never say never.
But for now, all's okay and I gotta get ready for the next one, whatever that is.
Still alive, anyway. Let's start with the music.
Well, last Wed., the 5th I got back onstage at the HMAC in Harrisburg. The Midtown Arts Center is a happening place, right near the Midtown Scholar, and a bunch of other cool places. Pity none of 'em are open in the evening, but oh well.
I played fairly well, but I was aware immediately of the talented artists that come to play a few songs and hang out. I was of the mindset to come back the next week and do a better job.
Dan joined me this time, and officially now, the Dharma Fools made their return to the stage last night. After another amazing performance by compere Mike Banks, we ended up going on next because no one else who'd signed up was there.
We tore through "Black Ambition," "Street of the Broken Dreams" and "That's Entertainment" by the Jam. Went well, felt good to not be alone onstage again. Got a lot of nice compliments from folks, which is a very cool thing. Of course watching some brilliant performers that continued after us, well you can tell we've a bit more to do.
We were brought back later in the night to jam with bluesman Big Daddy Vince. Vince Lumia is from Syracuse, NY and is down for work. Last week he cobbled together an ensemble and blasted his way through some standards. Had the whole Howlin' Wolf thing down.
He also took this cell shot of us...
I like this. Thanks, Vince!
Anyway, we did end up with Vince onstage last night...I played djembe for the first time in I don't know how long...Dan on bass, a harpist, two guitarists and a sax player. Hammered out a long stream medley of "Mannish Boy," "Bad to the Bone" and "Hoochie Coochie Man," then finished with "One Way Out."
Got a nasty bruise on my left hand from striking the edge of the drum to get the sound I wanted, but oh well. Great fun.
That was the most fun I've had in so damn long. Thank you Alice for bringing me there and...showing up before having to go tech at the Steve Miller concert! She said he was really nice after the show and thanked everyone personally. Class act.
Ah...now you must be wondering about Alice. We have been kind of on and off and on and off again of late; finally we realize how much we're into one another, and it works for us. All good.
Writing...well, it's been tapered off. I have been studiously editing "Sweet Dreams: Searching for Roy Buchanan" or SDS-1, and it has needed some careful work, but we're getting there. Feeling a lot better and reading that way too.
I will get the next chapter of "Take Another Road" along soon, hopefully.
I'm back to work on Friday...didn't work all week, but didn't I have a lot to do!
Oy...my cat Qi is now down to eight lives. He nearly strangled himself with the cord that holds my djembe stand together. I was awakened rudely at 6:20 this morning...by this CRASHCRASHCRASHCRASHCRASHCRASHCRASH in the house.
My first thought was that one of my CD shelves had collapsed or was in the process. I got up, and found him in the vibe room, a three-foot tall wooden stand (which had been retracted) on the floor, with a short cord that held it when opened wrapped around his throat.
Qi had dragged it across the room in an effort to extricate himself, knocked down my djembe, one of my guitars, send two chairs flying and stuff all over the place in a panic. He could still breathe, but barely.
I finally had to cut him loose, he was so wrapped up. He was okay, though...good thing I was home, the poor cat.
Uh, what I gonna write?
Oh yeah, still working on the writing...also I have been given an extension of unemployment benefits, but with that I have to job hunt and prove it.
So I have done so, but how can you job hunt when: YOU HAVE THE JOB YOU WANT AND LOVE, JUST NOT ENOUGH HOURS?
Urg.
So I am looking about, and seeing if there's something I can put my skills to elsewhere. Never know what might turn up.
I know I'd talked a lot recently about going home. I think it passed; I now have reasons again to stay here. We'll see...again, never say never.
But for now, all's okay and I gotta get ready for the next one, whatever that is.
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